Mr. Death," Thanatos hissed. "Why are we here?"
The old man's voice echoed a cheery twinkle, "You shall see."
"I was under the impression I was to start training or take a test. Stomping through a moss-ridden, bog-infested, creepy-statued swamp is hardly what I call optimal conditions for promising test results." Thanatos ducked under a branch that Mr. Death swatted aside. Mr. Death gave a low rumbling laugh, imitating a growl as it echoed.
Thanatos, despite his grumblings, could not get another word out of the old fogey and so lapsed into silence. With gradual unease, he began to recognize certain trees and landmarks. The statues may have moved, but he knew the clearing and the path. Within fifteen minutes Mr. Death stopped at the edge of the small lake where the rusted ship of the salamander's home beckoned him not several weeks before.
Thanatos shivered in his jacket. "Now will you tell me what we are doing in this godforsaken swamp?"
"It is your test, to see if you can." Mr. Death answered.
Thanatos shot Mr. Death a glowering look. He knew there was more to it than the old man was giving. The twinkle in his eyes glimmered with laughter and Thanatos knew Mr. Death was enjoying watching Thanatos squirm.
"Don't stop talking on my account," Thanatos turned away. He set his jaw and face away. He would not show discomfort to the other, the other, Thanatos reminded himself, that held his and Odette's lives in his hands. His eyes trailed along the dead ship, taking in the rusting exterior and the soft wheezes from tiny holes unseen.
"You must stay in the forest. Survive." Mr. Death said.
"Can I not just walk out?" Thanatos asked.
"No. I have erected a barrier. You cannot leave without my permission. It is dark magics, unique to me, so do not hope to overpower it."
Thanatos stayed silent. He scrunched his shoulders, the cold seeping through his thin jacket and deep into his bones. No place should be this cold. He peered into the depths of the trees, the fog settled on the ground like low waters before a storm. No birds chirped as before and like the air froze his limbs, the forest stood frozen, waiting, holding its breath. Other than this, Thanatos saw nothing. The magic Mr. Death wielded, that Thanatos also hoped to learn, was undoubtedly invisible, as expected of the supernatural.
"What of others?" Thanatos focused his attention back on his employer. "Can they come and go as they wish? Or, as I suspect, since this is a test, your barrier is only connected to me."
"Quite so," Mr. Death said. "And some last words before I leave you, if someone comes and you meet him, I recommend that you consider your…position."
"Hm. Cryptic, aren't we?" Thanatos mumbled. He glanced away, seeking out any remnants of salamanders, ghosts, or the statues. Few of the rock creatures stood around, their eyes staring at him, but there was no wisp or tail of the other two. He turned to ask Mr. Death one last question, but found the old man had gone. In his place, a knife stuck a note to a tree:
Swim or fly.
"My god! The riddles," Thanatos cursed. He paused, hearing a branch crack behind him. He spun around to see two statue creatures approach. As he stilled, they did so too, each sizing the others up. Thanatos could tell that these two creatures were in competition to see who could get to him first. Just off to his side was the ship. A quick swim…ah, yes. The statues would sink and drown, if they breathed at all, but Thanatos didn't know if the old creaky thing would even hold his weight. It was worth a shot.
He glanced from one statue to the other. They were closer now. Thanatos dropped slowly into a crouch. He tucked the knife into his pocket and grabbed a few twigs and branches, a small stone too in one hand.
One of the statue's faces smiled, cracking into deep caverns. A hiss came from its mouth. Thanatos knew it was laughing. Thanatos took his chance, flinging the twigs at it and the stone at the other, hoping for a distraction. He launched himself into the lake, swimming towards the hull, and heard nothing besides the splashes of water. Were they following him? He dared pause, scrambling up the side and over the edge. Collapsing into a heap on the deck, Thanatos looked out to the forest. The statues stood at the edge. He imagined they would curse and hiss loudly, but instead they stood, faces wreathed in joy and hunger.
Speechlessness grasped Thanatos' throat. He shuffled over to the cabin, eyes never leaving his predators. Once inside and door shut, Thanatos let loose a breath he didn't know he'd been holding. Streams of light shafted through the splinters of metal and Thanatos could see the wreaked havoc of what used to be the captain's quarters.
"Home sweet home," Thanatos murmured, ideas forming in his mind on how to survive, thanking Odette for her strange boyish ways. She was more suited to survival here, than Thanatos felt he ever could be. But it was she who died first, not him. He glanced through a hole, spying for the statue creatures. They stood, waiting, lurking, lingering. Thanatos grinned to himself. If they had a way to the ship, they would have found it by now. Turning, he set work.















In part 11 most of my qualms lie in the fact that terms were used like “legit” and “burn”, which somewhat diminished the credibility of your setting, which is in a time and context far removed from the modern jargon. You already have nice swears like “Good King Hector” and “scats”, so replacing the more contemporary words would do you well, I think.
In part 12 you open to what I dub in my mind the ‘salamander arc’ with the tale of the Aina, a man of man, and the forest. I would suggest embellishing it a bit more so the reader gets a greater sense of its import, and just to heighten the suspense and drama of it. The dialogue you have after it between Odette and Thanatos, however, is wonderful as is. Other than the aforementioned, the only other part-specific critique I have is in part 13. There you use the sentence: “His back slammed against a tree and roughly tied his hands behind his back.” The pronoun usage is confusing as to who is performing the action of tying Thanatos’s hands, and it was the only sentence in the entirety of the parts to really bug me.
Thus, with all those technicalities out of the way, allow me to leap into the plot. Odette’s strong personality was, as ever, a brilliant counterpart to that of Thanatos’s distance and self-interest. Her vibrant dialogue really keeps things alive, and I like the way their schoolyard bets and activities remind the reader that they are people. It makes one doubly frightened for them as they traipse into the wood. The salamanders were fantastic, I have to say. Utterly creepy, creating a very real sense of danger, mysterious, and well described. I particularly liked the bit where Thanatos was almost swallowed by the thick gooey mass of one of the creatures. But my favorite aspect of that entire scene was the semi-rescue by the shadow men. The way they both delivered and exacted a price, so to speak, of Thanatos and the way it makes one wonder to what extent Death was involved are excellent ties to the main plot of the story. Of everything that transpired with the shadow men and salamanders, I felt only that the legend Odette and Thanatos kept referring to as well as Mr. Life’s decision to involve himself and limited ability to help could have been better elaborated.
After that, Odette’s coma was a lovely, believable transition to Thanatos’s employ with Mr. Death, though again I wasn’t sure if the lack of power I felt from Thanatos’s emotions at the time he made his decision was an aspect of his personality or the manner it was written. It didn’t detract from my enjoyment of the story, I was merely curious if the flatness of his determination was intentional. Damian’s brief moment to shine with his point of view was brilliant. The irony of him finally swearing “Good King Hector” as Thanatos woke and the revelation that he has no real malice toward Odette and Thanatos was excellent. You consistently introduce antagonists whom are ambiguous at best, and I think this lends real credibility to your work and shows quite some skill to your credit.
Which brings Thanatos under the employ of Mr. Death. I liked the matter-of-fact way he woke up to and faced that, I have to say. And as I should I have an inherent distrust of Mr. Death, but his contract especially made me wonder if I wouldn’t adore him more as a character than I had originally thought. You are certainly giving Mr. Life and he dimensions that are many shades between white and black, or so it seems. One isn’t even sure if they can believe that grey area. The intrigue is well sustained.
Also, Mr. Death brings Thanatos back to the forest. I can’t help but think Thanatos should have had keener misgivings about that than he did, though I may be wrong. In any case, perhaps I am trying to think of one last critique. The read was a real pleasure, as always. I look forward to future installments and hope you get over the bumps writing for my own sake as the reader.
The Artist has requested Critique on this Artwork
Please sign up or login to post a critique.